Supported by Edge of Armour
Mo Kenney never had that archetypal I-want-to-be-famous moment. But somehow she was always going to make albums, play live and get noticed in her native Canada and way beyond.
Maybe the clues were there in the way she saved up her lunch money to buy records, begged her parents to book guitar lessons for her and made demos in the modest recording facility at a school she wasn’t even attending. Now, Kenney’s brilliantly accomplished ‘In My Dreams,’ one of Canada’s most acclaimed records of 2014, is about to become one of the freshest and most inventive releases on the international stage this autumn.
And stage is the word, because the artist, born in Halifax, Nova Scotia, views staying on the road and playing for as many people as possible as her life’s work. The reward is in the recognition she’s enjoying from her discerning album audience.
‘In My Dreams’ is already an award-winning follow-up to Kenney’s much-decorated, self-titled debut of 2012. The new set swiftly secured an ECMA (East Coast Music Award) for Pop Recording of the Year, to sit alongside the same trophy that was bestowed upon its predecessor, which also took a Canadian Folk Music Award for New/Emerging Artist of the Year and no fewer than three Nova Scotia Music Awards.
As well as having toured in Canada with Plaskett, Ron Sexsmith and extensively in her own right, Mo is already no stranger to international audiences. She has played Iceland Airwaves, The Great Escape and Green Man Festival in the UK, where early in 2014, she toured for six weeks with her good friend, Scottish artist, Rachel Sermanni. Kenney is heading back to Britain, Ireland, and Germany in support of ‘In My Dreams.’ The stage is literally set for her.