Neville Staple Band-CANCELLED Music

Neville Staple Band-CANCELLED

  • Date

    Saturday 07 October 2017

  • venue

    The Assembly

  • time

    Doors 7pm Show starts 7.30pm

  • age

    Adults, Teens

  • price

    £19.80 inc bf concession available

  • genre


Unfortunately this event hasd been cancelled. Please contact Box office for refund.

Neville was born in Christiana, Manchester, Jamaica. At the age of five, Neville left Jamaica to live in the English town of Rugby, Warwickshire, where he went to school but later moved to Coventry. He was initially active in the sound system scene forming his own crew called Jah Baddis. Neville was a regular fixture at the Locarno ballroom in Coventry where he met its resident DJ, Pete Waterman. Pete was heavily involved in the seventies reggae scene before going on to become a major pop producer in the 1980s. Pete has written the foreword to Neville's biography Original Rude Boy and briefly managed The Specials.

The Specials

Neville's first involvement with The Specials was when they were still called The Coventry Automatics. He became good friends with Jerry Dammers at their local youth club in Coventry and initially joined as their roadie before Terry Hall and John Bradbury joined the band, then at a gig supporting The Clash, Neville impressed Jerry with his toasting from the mixer desk, got called on to the stage and never looked back. For a while, The Specials were managed by The Clash's manager Bernard Rhodes of whom Neville used to toast Bernie Rhodes knows don't argue at the beginning of the Specials hit single Gangsters.[2]

Neville's vocal style is toasting or chanting over a rhythm, as well as singing. A forerunner of rapping which was brought to Britain in the 1960s by musicians from Jamaica. Neville honed his toasting skills on the sound system scene in Coventry during the 1970s, starting out on his cousin Alvin's 'Messenger Sound System', then later with his own sound system called 'Jah Baddis', with Trevor 'ET Rockers' Evans and other friends. Later in his solo career and with the reunited Specials, he would sing lead as well as toast. When he joined the Coventry Automatics, the line up already included Jerry Dammers, Horace Panter and Silverton Hutchinson on drums. Terry Hall subsequently came in as vocalist, replacing Tim Strickland, and Roddy Radiation on lead guitar. John Bradbury would later take over on drums from Silverton. Neville participated in a reunion line up of The Specials from 1993 to 2001, and again from 2009 to 2012, when he left the band due to health and personal reasons. During this this time he took part in the huge 'BBC Reggae Britannia' TV screenings and shows and performed alongside Amy Winehouse for a massive 'V Fest' show.

Fun Boy Three

When The Specials split up, Neville departed with Terry Hall and Lynval Golding, to form Fun Boy Three. They had a string of chart hits, some in collaboration with the all-female trio Bananarama.

In 2000, Staple's re-recordings of hits by The Specials and Fun Boy Three were released as The Very Best of the Specials and Fun Boy Three, though without being prominently labelled as a solo work by Staple.

Special Beat

In 1990, Staple joined Ranking Roger from The Beat to form Special Beat, a revival group playing hits from both former two-tone bands. This was in response to the huge explosion of interest in ska in the United States. The so-called Third Wave of ska. Neville moved to California in the 1990s to work with many of these new American ska acts. Bands he collaborated with included No Doubt, Rancid and Unwritten Law. Neville also featured on the song Explosive by the Canadian ska band, The Planet Smashers.[6]

Neville Staple Solo

Solo career

Neville worked for many years in the US with various bands and also with The Hitmen, including providing a soundtrack for the movie, 'Vampires Anonymous' and extensive touring. He also worked with bands like No Doubt, Rancid, Desorden Público, Planet Smashers, Say Ferris, The Pilfers and Reel Big Fish in their early days, plus many others.

In 2004, Neville returned to the UK and formed The Neville Staple Band, releasing the critically acclaimed album The Rude Boy Returns, with contributions from Clash guitar man Mick Jones and Damned drummer Rat Scabies, with Flipron's Joe Atkinson's on organ. The group featured former members of the British ska band Bad Manners with Warren Middleton (trombone), Andy Perriss (guitar), Stephen Armstrong (bass) Joe Atkinson (from Flipron, keyboards) and Patrick Pretorius (from The Talks)/Matty Bane (drums).

Since 2004, Neville has relentlessly toured the UK, Europe, The Middle East, Australia & New Zealand with his own band, as well as several successful tours and shows alongside Ranking Roger of The Beat and Pauline Black of The Selecter as Special Beat and Legends of Ska. He also helped to launch the career of Johnny Zee (aka Taz Nation / Stereo Nation) of Bollywood music fame, after managing and producing for him early on.

In 2013 Neville produced a new album called 'Ska Crazy' with his band for release May 2014, which includes old ska classic covers and brand new material. His wife Christine Sugary Staple and long time friend Daddy Woody, a Jamaican DJ/Artist, also provide vocals on the album.

Neville has also worked on various collaborations with 'The Mutants' (Rhythm and Punk Review) including co-writing 4 tracks on the album one of them co-written with his wife Christine (Two Tone Girl), plus songs with 'The Talks' and 'Flipron' as well as tracks with 'The Dub Pistols' (release 2014), Ed Rome, 'Duplex', The Rifffs MT and Juliette Ashby.

Original Rude Boy

In April 2009, Neville Staple set out on a reunion tour with The Specials. The same month also saw the launch of his biography Original Rude Boy published by Aurum Press. The top selling book covers Neville's involvement with the 1970s sound system scene and childhood in Jamaica. Then how a chance encounter with Jerry Dammers and The Specials led to his involvement in that band and Fun Boy Three. Neville collaborated with former BBC journalist Tony McMahon on the book and both are registered with the Blake Friedmann literary agency.

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